The rock carvings of musician Barbara Hepworth offer a supply of motivation for Manolo’s geometry and monochrome images.

The rock carvings of musician Barbara Hepworth offer a supply of motivation for Manolo’s geometry and monochrome images.

Amidst a modern generation of sculptors into the 1930s, Hepworth’s move towards the abstract ended up being inspirited by the ocean and landscape of Cornwall.

Manolo is well known for their obsession with embellishments. Scouring all corners regarding the globe he harvests rocks and pearls to generate dramatic groups of jewels. Like crowns, the delicate wreaths adorn the luxurious materials of their favourite silhouettes.

Manolo recognised the indispensable silhouette associated with the ankle boot, which includes become a piece that is integral a person’s wardrobe. Real to their playful juxtapositions he embraces classic forms utilizing the characteristic clashing of tints and textures.

Manolo is mesmerised by ancient fables and legends. The laser-cut habits in this collection are influenced by the amulet thought to ward the curse off of the ‘evil eye’: an unknowing, malevolent glare resulting in injury or bad absence. also called ‘il malocchio’ the totem itself is really an eye that is solitary used in several countries being a charm to repel any wicked afflictions.

Marble, mosaics and motifs, the current weather of Sicilian architecture that is baroque give an enduring force behind Manolo’s imagination. The bronzed, statuesque designs are translated towards the decorative touches in this collection.

Translating to ‘Fans of Seville’, Manolo designed Abanico de brides to be review Sevilla in commitment to Andalusia, the land of flamenco, dance and passion. Inextricably associated with their Spanish origins, these pleated silk fans playfully dance with every motion.

Abanico de Sevilla

Manolo adores Sicily as well as the area’s distinctive baroque architecture. The intricate and theatrical facades make a difficult impact…its eccentricity that is marvellous a point of suffering fascination for Manolo.

Growing through to an island near the sea ingrained in Manolo the beauty that is honest of and horticulture. Surrounded by the ocean, the underwater woodlands of ocean algae took influence on their imagination, its characteristic tendrils developing the straps of the sandal.

The bold, confident silhouette associated with web is prompted by the couture collections of Jean Paul Gaultier along with his use of the form that is female a symbol of empowerment.

Kazimir Malevich, A russian precursor that is polish of art whom explored geometric forms, encouraged Manolo’s clashing of bright colors and forms. The cubist movement had a strong affect on Manolo whom translated this to the bold images that completed this Autumn collection.

A brief history of various countries and cultural traditions, specially the ways that individuals dressed, is definitely a place of guide when designing their collections. Manolo is fascinated with the natural, savage touches found in ancient footwear as well as its element that is underlying of.


Africa as well as the Maasai tribe supply a continuing supply of motivation for Manolo. Adorned upon a modern canvas of zebra printing, the Maasai beads that inspire this buckle have actually great social importance with every color having a unique meaning.

Interested in the dress that is traditional of Maasai tribes, Manolo emulates the primary-coloured collars which can be important and symbolic of these culture.

A playful, contemporary interpretation regarding the ancient tribes in Africa. Manolo clashes tints and textures to carry one of his true favourite silhouettes to life: a low-heeled mule brimming with vivacity.

Together with his imagination travelling all over, the summertime 2018 collection had been encouraged by Africa together with profoundly rooted traditions of its numerous tribes. Obviously, exactly exactly what ensues is Manolo’s modern take regarding the cultures that are nomadic date right straight back many thousands of years.

Nuzianta is motivated by the ruffles adorning the Queen Consort of Spain, Maria Luisa de Parma, in her own portrait by Anton Raphael Mengs. The eighteenth century artwork hangs when you look at the Prado museum that is a continuing way to obtain motivation for Manolo.

Forever inspired by nature, it absolutely was the wide leaves and high spire of flowers from the Acanthus plant that stirred in Manolo to generate this silhouette. The heel that is balled from his adoration of Andre Perugia, Manolo’s favourite footwear designer, who created avante garde footwear into the very early 1900’s.

Manolo’s love of England could be the spark behind several of their designs. This silhouette comes into the world from their adoration associated with the era that is victorian particularly the elegant ruffles that adorn the dresses associated with the age.

The job of Dutch musician Piet Mondrian impressed upon Manolo the use that is abstract of and primary tints. He brings to life Mondrian’s pairings of asymmetry and stability through their graphic and geometric structures.

Interested in the attraction of enchanting women, Manolo appears to iconic photographs of Jean Shrimpton by David Bailey within the 60’s. The footwear are incredibly completely characteristic for the era that also coincides with Manolo’s arrival to London and adoration that is ensuing of town. Today the photographs inspired Manolo to create a series of styles that would be perfectly suited for Shrimpton.

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